Grifter Final Opening
Thursday, 19 December 2013
Tuesday, 17 December 2013
Screenplay Script
Script:
In today's lesson we learnt how to create a screenplay script, so that when the time comes for us to create the screenplay script for our opening sequence we would be able to easily do so.
We learnt about the key features and techniques, necessary for creating a script, such as: Dialogue being tabbed in, character names centred and in capital letters and other techniques and feature. The above screenplay script is therefore a script, me and my group created for 5 pages of a children's story book called "The Winter Hedgehog".

Thursday, 12 December 2013
25 Word Pitch
Crime Fiction: Superbad meets Catch Me If You Can
One man on the run from the police, in attempt to finish the job.
One man on the run from the police, in attempt to finish the job.
Saul Bass Practical - Anatomy of a Murder
Here the class learnt how to produce a stop start animation. I worked in a group of three and we cut out pieces of paper to match the shapes of the body shown in the original anatomy of a murder title sequence. Above is my finished edit from the pictures we had taken. I used final cut pro to join an array of photos, in order to create a full video opening. I also used text and fonts that were as similar as that of the original opening sequence.
WWW - What Went Well
I was very proud with the opening we managed to do and I felt we managed the continuity of the images best, allowing a smooth run of the opening. I also felt we used the accurate amount of images in order to produce a free flowing sequence that was neither to quick, nor to slow.
EBI - Even Better If
Although i feel that the overall creation of the opening was successful, I was disappointed with the fact that we were unable to completely finish our rendition of the opening sequence. We also struggled with our focus of the camera and managing how to keep even the smallest parts of the body in focus.
Saturday, 7 December 2013
My Favourite Title Sequence
After doing some research and looking at title sequences that I enjoy, whether it be their style i like or maybe the abstract effects they use, I was able to choice my favourite title sequence and analysis it in depth, while also presenting the PowerPoint i had created to the class and demonstrating why i liked the title sequence so.
Here is the PowerPoint presentation I created about my favourite title sequence for the film, "Catch me if you can":
Here is the PowerPoint presentation I created about my favourite title sequence for the film, "Catch me if you can":
Here Is a video of me presenting my powerpoint on my favourite title sequence to the class:
Thursday, 5 December 2013
Film Synopsis

This is a brief, initial idea of what I want my film to be about.
Tuesday, 3 December 2013
Soundscapes
My Notes - Samuel Bamfo
Soundscape - Ambient sound that we can hear in a scape, for example: birds, clock ticking, e.c.t
Clapperboard - Is a device that is used in both film making and production. It is used to assist the synchronizing of sound and picture. It marks a point in the scene that can easily be identified in editing so that both the sound and picture can be cleverly put together to form synchronous sound.

Dubbed Sound - sound that is added later, over the top of the picture
Foley Artists - Person that creates and adds background sounds and noises later on in the editing. This allows sound to remain clear and avoid background interruptions.
Contrapuntal Sound - Sound that doesn't match the action/scene
Wild Track - Ambient Background noise that you would expect to hear, for example, wildlife.
Sound Bridge - connects or link to pieces of sound over two scenes.
Score - specifically composed music or sound for a film, unlike song which already exists and is chosen not created specifically.
Timeline Comparison
The images to the left both show opening credit timelines, the first being of the movie "panic room" and the second from the film "the bourne identity".
The opening credits to the movie "panic room" are 1 minute and 44 seconds long. It begins with the institution and has between 23 to 24 title shots. The music for the institutional logo also bridges with the music of the main title sequence and fades out to police sirens. It gradually builds and drops from frame to frame. The sequence also giving the setting for the scene, as there are a range of buildings shown with the credits. This connotes that the scene is likely to be of a city, most likely a city like New York. There is no action for the title sequence either. Finally the sound bridges between two frames towards the end of the opening credits. As the original score sound fades out and the talking of people comes in.
Unlike "panic room", the music for the opening credits of "the bourne identity" starts from the very beginning excluding the sound for the institution logo and its animation. The score sound is rather awkward and hard to figure out. This creates a sense of mystery or enigma that may relate to the tone and genre of the film. The opening sequence of the bourne identity is 1 minute and 40 seconds long, 4 seconds shorter than "panic room". There are no bridges of sound here and the sound is very consistent, however towards the end of the sequence the sound does fade out slowly until it is no longer heard. The sequence however (unlike "panic room"), doesn't set the scene of the film, but does show what looks like fingerprints. This is also an enigma code and sets a sense of mystery and identification.
The two films do however use music that has been specifically made or suited for the opening, rather than use an already in use soundtrack.
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